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The grandparents’ and three boys’ bedrooms are on the first floor, adjacent to a small family room. This layout offers the opportunity for the grandparents and grandchildren to bond. The dark pine planks contrast the pale wood finishes that cover the ceiling, both inside and out. The three-bedroom family home is located on a rocky plateau in the arid landscape, with views of the Coachella Valley and San Jacinto Mountain Range. So it’s no surprise that the Aidlin Darling Design studio is way more than a set of desks, chairs and computers. It is, in fact, a laboratory for testing, exploring and pushing materials.
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Dean’s background in traditional architecture, which requires historical accuracy and getting the detail precisely right, gives him an edge over his peers and affects his overall approach. Our familial studio atmosphere cultivates curiosity, fun, and intellectual rigor. From fashion shows and musical performances to art exhibits and architecture forums, we love hosting events at the studio that nurture cross-pollination among disciplines and promote the creative spirit. This course explores the features, surface materials, and design options for rooftop deck systems and provides an overview of recommended planning and installation guidelines. This vastly sky-lit space serves as a spatial hub, pulling daylight deep into the home’s interior. It features a transverse bridge and a sculpted wood wall that filters and carves light as it moves through the space.
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“The exciting part was coming as close as we could with the architecture to almost kiss the boulders. Channeling the spirit of this mid-century modern home’s original designer, Joseph Esherick, daylight was a primary objective for this comprehensive contemporary transformation. Situated amongst much larger homes in the Pacific Heights district of San Francisco, this project adapts the original design to its present-day context.
Three Generations Live Under One Green Roof in San Francisco
At Aidlin Darling Design, we think of design as a sensory art, one where the way a space feels is as important as how it looks. As a multidisciplinary firm, this ethos is our guiding principle across projects of any scale, use, or purpose. The steel bridge—which echoes the design language of the steel brise soleil—extends from the second-floor study into the rear garden.
This dramatic remodel of a non-descript 1950s hillside residence converts a two-story structure into a three-story home for a growing family. The home boasts contrasting but remarkable views of the city of San Francisco to the east and Sutro Tower to the west. The front and rear facades employ 20-foot-tall, 30-inch-deep steel brise soleils to deflect light and simultaneously frame cherished views while editing out less desirable ones. The southern and northern anchor walls are skinned with hand-troweled plaster and create visual and mental privacy from the adjoining neighboring homes. In between these walls reside crystalline glass-and-steel exterior structures that provide the family with remarkable eastern views of downtown San Francisco and beautiful sunset views through a canopy of backyard trees. A living roof provides ample insulation and rainwater purification as well as an inviting natural respite within the confines of an urban setting.
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Aidlin Darling Design has succeeded in creating a sustainably designed suburban home that expansively extends its ... - Global Design News
Aidlin Darling Design has succeeded in creating a sustainably designed suburban home that expansively extends its ....
Posted: Thu, 08 Jun 2023 07:13:32 GMT [source]
Louvered skylights wash Oliveira’s 15 to 30 foot-long paintings with natural light, providing the only light needed within the space throughout the daylight hours. Benches and cushions are strategically placed to allow visitors to quietly view both the paintings and the adjacent landscape simultaneously. Exterior contemplation spaces are integrated into the use of the center, further intensifying the connection of nature, art and contemplation.
The dining room flows out to a pool terrace through a sliding glass wall. To the right is the two-bedroom guest wing (hidden behind the forecourt wall) and a kitchen that opens to the terrace. The opposite wing contains the living room, which also spills onto the pool terrace, and the main bedroom suite, with a glass-enclosed bath that projects into the landscape. Josh says the program was fitted around the boulders “like Lego pieces,” and the negative spaces became as important as the volume.
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Central to the new design is a large multi-story interior garden atrium that is intended to capture outdoor space within the home. Visitors gaze out through a whole wall of glass to the oak grove on the east. On the facing wall, Oliveira’s immense Diptych, depicting two outstretched wings, is naturally lit by a narrow skylight that runs the length of the painting. The dim interiors are further subdued by a plenitude of dark-stained oak, used for the flooring, slatted ceiling, and simple benches.
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The dialogue between earth and sky is reinforced through the home’s material palette of concrete, wood, glass, steel, and diffused light. The home’s once dark interior is completely transformed using restrained materials that reflect, refract, and sculpt light as it is captured. The juxtaposition of heavy and light is carried through to the smallest details. In addition to this atrium space, the house re-establishes its relationship to the landscape by way of its rear façade. A new lower level physically connects the home’s interior to outdoor living space and the landscape. The rear façade and adjacent walls reorient both indoor and outdoor space towards the landscape and city views beyond while editing neighboring structures for mutual privacy.
News from Dezeen Events Guide, a listings guide covering the leading design-related events taking place around the world. At the back of the home, overlooking the site's steep slope, a swimming pool runs nearly the whole width of the house. Because of the area's dry climate and predictable weather, the home is made up of a series of separate wooden volumes clustered under a large, overhanging roof. This elevated vantage led to the name High Desert Retreat for the project, which earned a 2021 AIA Design Award in the interiors category.
Designed to promote personal renewal and well-being, the one-story, 4,000-square-foot building recently opened its doors to the Stanford community. The third floor is the master suite, which provides the couple a space to escape the high activity of the children when needed, but also a welcome respite for the kids to play with their parents in the extended master bedroom. This floor also features a hidden work desk and a fireplace with a remarkable view over downtown San Francisco. Given the small footprint of the home and the open floor plan, the entire interior experiences direct light in the morning and evening. The renovation not only accommodates the clients and their three young sons, but also two grandparents. With the addition of the third floor, the home boasts spectacular views over the city to the east and the iconic Sutro Tower to the west.
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